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Silverdyne | Cyberpunk 1987 
This playlist is my personal interpretation of the storyline between Kerry Eurodyne and Johnny Silverhand. It attempt to capture their history in a retro-futuristic style. By using songs released before or during 1987, it reflects their story told in "Cyberpunk 2077" and the TTRPG; as well as my own personal speculation and imagination.
*I personally have not played through "Phantom Liberty", and have managed to avoid all spoilers somehow, so there’s no mention of it throughout this retelling.
This playlist is organized in a chronological order of events style, to the best of my ability using Kerry's questline from "Cyberpunk 2077", Johnny's memories, and lore from the TTRPG. For clarity, there will be a brief explanation of when songs take place included with each entry.
This Page & Playlist Are Currently Works In Progress
This means there are important story elements and events that may be excluded from the following tracklist.
tl;dr There's more to come as I find it!


"Hit The Lights" - Metallica, 1983
Samurai emerges as a new band on the scene, playing shows and making a name for themselves.
"You Spin Me Round (Like a Record)" - Dead Or Alive, 1983
Johnny and Kerry fall into a rhythm of messy hookups.
"I Was Made For Lovin’ You" - KISS, 1979
Lost in each other’s charm, the pair form a volatile situationship.
"Bigmouth Strikes Again" - The Smiths, 1986
Johnny lashes out at anyone he can reach, Kerry is no exception.
"You Keep Me Hangin On" - Kim Wilde, 1986
Kerry struggles with his feelings and Johnny’s lack of commitment.
"I Hate Myself for Loving You" - Joan Jett & the Blackhearts, 1988*
As the years pass by Kerry gets used to Johnny’s song and dance, wishing he had the guts to just move on.
"You Give Love A Bad Name" - Bon Jovi, 1986
Kerry laments that even though Johnny treats him like shit he can’t help but love him, even if it hurts.
"Eyes Without A Face" - Billy Idol, 1983
Johnny abuses substances just to get by, often leaving him completely out of it. As his addictions worsen, Kerry’s heart aches for him and what they could have if he would just accept his help.
"Say Say Say" - Paul McCartney & Michael Jackson, 1983
Kerry gives Johnny an ultimatum; choose him or lose him.
"Cold as Ice" - Foreigner, 1977
Johnny throws his own insecurities back on Kerry, in attempts to keep him at an arm’s length.
"I Want To Break Free" - Queen, 1984
Kerry calls it quits.
"Boys Don’t Cry" - The Cure, 1979
Johnny struggles with his own internalized homophobia, and pushes down his emotions yet again.
"Heart Of Glass" - Blondie, 1979
Kerry continues to follow Johnny on tour even after their band split up and his attempts at holding Johnny’s attention are long over. He’s still hung up on him, and wants to see him recover.
"My Life" - Billy Joel, 1978
Johnny continues to spiral further down the conspiracy rabbit hole, his mental state on the fringe. He pushes Kerry away, and his anger grows into an explosive revenge plot.
"Girlfriend in a Coma" - The Smiths, 1987
Kerry learns of Johnny’s final act. Spending years secretly hoping he’s out there somewhere.
"Pictures of You" - Foreigner, 1977
Decades later, Kerry sits alone in his Charter Hill home sifting through old mementos and watching recordings of a time long since passed. He misses his friend.
"Solitude" - Black Sabbath, 1971
Kerry is truly alone. Everyone who has ever claimed to love him finds it too difficult.